Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
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From Chapter 3: The fumes of dried coltsfoot leaves were used as a remedy in cases of difficulty of breathing, both in ancient Roman times and in Tudor England. Lyte, in his translation, 1578, of Dodoens' "Historie of Plants," says of coltsfoot: "The parfume of the dryed leaves layde upon quicke coles, taken into the mouth through the pipe of a funnell, or tunnell, helpeth suche as are troubled with the shortnesse of winde, and fetche their breath thicke or often, and do [sic] breake without daunger the impostems of the breast." The leaves of coltsfoot and of other plants have often been used as a substitute for tobacco in modern days. A correspondent of Notes and Queries, in 1897, said that when he was a boy he knew an old Calvinist minister, who used to smoke a dried mixture of the leaves of horehound, yarrow and "foal's foot" intermingled with a small quantity of tobacco. He said it was a very good substitute for the genuine article. Similar mixtures, or the leaves of coltsfoot alone, have often been smoked in bygone days by folk who could not afford to smoke tobacco only.
From Chapter 7: Throughout the eighteenth century the use of tobacco for smoking was largely confined to the middle and humbler classes of society. To smoke was characteristic of the "cit," of the country squire, of the clergy (especially of the country parsons), and of those of lower social status. But at the same time it must be borne in mind that then, as since, the dictates of fashion and the conventions of society were little regarded by many artists and men of letters.
In the preceding chapter I quoted from Addison's diary of a retired tradesman in the Spectator of 1712. The periodical publications of a generation or so later paid the great essayist the flattery of imitation in this respect as in others. In the Connoisseur of George Colman and Bonnell Thornton, for instance, there is, in 1754, the description of a citizen's Sunday. The good man, having sent his family to church in the morning, goes off himself to Mother Redcap's, a favourite tavern—suburban in those days—or house of call for City tradesmen. There he smokes half a pipe and drinks a pint of ale. In the evening at another tavern he smokes a pipe and drinks two pints of cider, winding up the inane day at his club, where he smokes three pipes before coming home at twelve to go to bed and sleep soundly.
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From Chapter 9: Byron is reputed to have been another cigar-smoker. His apostrophe to tobacco in "The Island" (1823), a poem founded in part on the history of the Mutiny of the Bounty, is familiar. The lines are, indeed, almost the only familiar passage in that poem:
Sublime tobocco! which, from east to west, Cheers the tar's labours or the Turkman's rest; Which on the Moslem's ottoman divides His hours, and rivals opium and his brides; Magnificent in Stamboul, but less grand, Though not less loved, in Wapping or the Strand: Divine in hookas, glorious in a pipe, When tipp'd with amber, mellow, rich, and ripe; Like other charmers, wooing the caress, More dazzlingly when daring in full dress; Yet thy true lovers more admire by far Thy naked beauties—Give me a cigar!
How far these lines really represent the poet's own sentiments, and whether he habitually smoked either cigar or pipe, is another matter.
From Chapter 9: Other men of letters of the time were zealous adherents of the pipe. One of these was the poet Campbell. From 1820 to 1830 he was editor of the New Monthly Magazine, and is reputed to have been so very unbusinesslike in his methods that there was always difficulty in getting proofs corrected and returned in good time. On one occasion, as reported by a member of the firm that printed the magazine, a proof had been lost, and the poet was informed that the article must go to press next day uncorrected. Campbell sent word that he would look in in the morning and correct it. Preparations were duly made to receive him; he was shown into the best room, and left with the proof on his table. After a while he rang the bell, and said, "I could do this much better if I had a pipe." Thereupon pipe and tobacco were procured and taken in to him. Campbell tore open the paper containing the tobacco, and, with a slightly contemptuous expression, exclaimed, "Ugh! C'naster! I'd rather it had been shag!"
Charles Lamb was a heavy pipe-smoker. He smoked too much—regretted it—but continued to smoke, not wisely but too well. "He came home very smoky and drinky last night," says his sister of him.
When sending some books to Coleridge at Keswick in November 1802, Lamb wrote—"If you find the Miltons in certain parts dirtied and soiled with a crumb of right Gloucester, blacked in the candle (my usual supper), or peradventure, a stray ash of tobacco wafted into the crevices, look to that passage more especially: depend upon it, it contains good matter." To Lamb, a book read best over a pipe.
From Chapter 13: The ballads of the period abound in rough woodcuts in which tavern scenes are often figured, wherein pewter pots and tobacco-pipes are shown lying on the table or in the hands or at the mouths of the male carousers. Men and women are figured together, but it would be very hard to find a woman in one of these rough cuts with a pipe in her hand or at her mouth. An example, in the "Shirburn Ballads" lies before me. The cut, which is very rough, heads a bacchanalian ballad characteristic of the Elizabethan period, called "A Knotte of Good Fellows," and beginning:
Come hither, mine host, come hither! Come hither, mine host, come hither! I pray thee, mine host, Give us a pot and a tost, And let us drinke all together.
